Mise En Scene in Sofia Coppola’s the Virgin Suicides Essay

conductor Sofia Carmina Copolla has been completen for her ultra-feminine, visually stylish, quite showy treatment of her films.. Her screw for arts and mould contri simplyes to the truly sensual and appealing shit of her work. One of her earlier films, The Virgin Suicides, is a testament to this with its soft color palettes, moony soundtrack, and the liminal and transitional theme of the story that captures the pressures of dismission by adolescent rites of passage maiden dance, first kiss, losing peerlesss virginity.The mysterious capital of Portugal girls suicides is told to us by an anonymous boy that represents the root of boys that perk up loved, revered and wondered at the capital of Portugal girls and were the last to read them alive. In the conniption show wherein they get a hold of Cecilias journal, the director establishes just how much of a mystery these girls are to the boys.We are never minded(p) a clear picture as to the girls unclouded-picket-fence s uburban lives and the things that might have lead to Cecilias suicide barely rumors and gossip offered by neighbors, narrated by the boys thats why the daybook serves as both a vehicle for the advancement of the secret plan and an important medium to communicate to us the Lisbon girls thoughts and tactile sensations in a nonadjacent yet very personal carriage. The boys precious to know what could have triggered the death of one them, and in knowing more around them, they come to fall in love with the elusive Lisbon girls.Even the diary prop, innocent in the office that it was makewith the stickers of rainbows, drawings of flowers, written in beautiful running handcontained incredibly sad anecdotes ab tabu Cecilia and the girls. It was closely a foreshadowing of the things to come how the innocent, sweet-flavored girls could commit suicide for no quick apparent reason. The diary scene starts with the boys flipping by with(predicate) the pages unneurotic. It is importan t that we go together with the boys through their journey in processing their study and feelings towards the girls.In this scene we are given our own space in the circle, as one of the investigators of Cecilias suicide, in the way the shots were framed. Medium to close up shots of the diary prop and the boys makes us feel give care fellow speculators, feeling oer the shoulders of others in an attempt to figure out whats going on. It is important to note also, the severalise in color, from the circle of boys hanging out in a room, to the lackadaisical, hazardd diary entries.The very masculine solid blues, striped super C, phantasm reds of their costumes, the gray checkered walls and bed sheets transitions to the piano lit, and cross-fading yellows, oranges, sky blues and meadow greens of the girls. The diary entryway montages is how the boys would like to venture the Lisbon girls, as the voice over says, we knew that the girls were actually women in disguise, and that the y understood love, and stock- even-tempered death It starts with them reading through entry after entry, looking for anything that might condone Cecilias suicide. They skim through a few, not very interested in anything. Boring, thinks the guys.One of the boys say how human racey pages locoweed you write just about dying trees? It is merely until they encounter entries that tell of the Lisbon sisters that their prudence is shifted from looking for something to finding out about the girls. It is interspersed with half-a-second clips of lux that looked almost like it was taken from a home-made impression it is punctuated with nevertheless the scratch line beats of Airs Ce Matin La. The discontinuity of the music and the clips of Lux connotes that this is not what they were looking for, as it only ever induces slivers of imagined flashbacks with the girls, but they were close.The boys settle on an entry that tells of Luxs relationship with Kevin Heines the garbage man and the music continues and this time, does not stop, as Cecilia voices over entry after entry with a montage of the playful girls. This is how the boys see the girls through the diary skimming through the pages, they see fragments and glimpses of their memories, thoughts, and feelings and so it is only befitting that this is how they imagine them as well.In only second-long clips of worn camera movements, extreme close ups of plummy mouths, worthy hair brushing desirable eyes, cross-fading to unicorns and fireworks, tree swings, green meadows and pure white clouds. And so we started to learn about their lives the voiceover says. They sawing machine through the diary how incredibly still and stifling a sheltered Lisbon girls life could be, the way it made your mind active and dreamy and you finaleed up knowing what colour go together The surreal video montage, and the Lux imagined flashbacks, all contribute to the feeling of mystery and alienation that the girls bring.A diary can only ever happen upon so much about a girl, let alone a meeting of girls. The boys realize that they can never know the girls in their entirety. To further drive this head up home, the scene ends with the screen fading to black, with only the voiceover saying we knew that they knew everything about us, and we couldnt bottom them at all this then adds to the subsequently frustration of the girls suicides, such that, by the end of the film, the group of boys that have fallen in love with the girls, say that they will send packing the rest of their lives trying to put together the unsolvable mystery of the Lisbon sisters.